The Good of People

Midnight passed.

I found myself beneath the city, riding home on the subway with the homeless, the aimless, the guilty, the silent. Beyond the windows rushed darkness. Cold light filled the car. Eyes avoided eyes.

Secretly, without betraying my curiosity, I studied the late night passengers who rode with me.

Several feet away in a wheelchair sat an extremely old man. He wore a tattered bathrobe. His head had fallen to his chest. He was tipping forward. I thought he might spill onto the floor at any moment.

Across from the old man, two riders sat with lowered eyes.

One had long peroxide hair, blue fingernails, hollow eyes and gaunt cheeks–a prostitute. She appeared to be twenty going on fifty. Hands trembling. A meth addict.

The other was a man whose hardened face and shaved head were covered with crude tattoos. Etched in prison, I surmised.

I was careful that neither noticed me.

The prostitute wore a tiny skirt and heavy winter jacket. Both of her legs were scarred. I wondered how she received those scars and how she might have smiled when she began down her path. Through what turns had she come to be seated there? Did she ever think about her future?

The man with the tattoos wore an angry expression that seemed permanent. I tried to imagine the crimes he might have committed. His mask of tattoos contained a clown, a skull and a gun, and painful words that would never be erased.

I lifted my gaze a fraction to observe others who rode after midnight. I found more of the same: eyes aimed nowhere.

Where were these people going? To what end did their lives lead?

As I looked on critically, I realized these late night riders of the subway were no different than anyone else. Moving through time hoping to find a place where they might be whole.

These lives had been reduced to futile existence. Drifting through a black tunnel unseen. Riding forward, station after station after station after station, never arriving.

How many in this world ride with no destination? I wondered.

What is the good of people?

The old man drooping in the wheelchair suddenly toppled onto the floor.

Two passengers jumped up.

The young prostitute leaned over and reached toward the old man with her trembling hand.

“Are you okay, bro?” asked the man with the tattoos, as he helped the old man back up into the wheelchair.

I did nothing.

A Song for Old Warriors

The old men sat under a canopy before the marble monument. They had fought in World War II. Many were in wheelchairs. All would soon die.

The warriors struggled to stand up for the advancement of the color guard, and they remained standing for the National Anthem, the Pledge of Allegiance, a prayer. They quietly retook their seats.

A retired general approached the podium and spoke about the nightmare war long ago and those who fought. He recalled how a multitude of ordinary citizens–janitors, farmers, factory workers–had come together to defend high ideals. The heads of the very old men did not move.

A singer was then introduced. She was a little girl, just seven years old. She wore a vest of silvery sequins. Her face was made up with red lipstick. Microphone in hand, the very young girl glided confidently onto the stage and raised two pale arms. With a booming voice she began God Bless America while her grinning father circled with a video camera, recording his starlet.

As she sang the tiny girl stepped down from the stage and sashayed with her microphone up to the inscrutable faces of the old men. Her own face beamed with affection, and her hands formed exaggerated gestures as she directly addressed each gray head. The performance seemed an act learned by a child from television. The bold familiarity, perhaps tolerable in an adult, was unsettling from a seven-year-old girl.

The girl’s voice climbed until it wavered. Her high voice strained to exploit every syllable of the song. It sought to imbue every word with an infinity of feeling. The child floated in front of the very old men with her twinkling eyes, and she smiled with absolute sincerity.

The heads of the warriors did not move.

As I observed this strange performance from the back row, I was struck by the eyes of the precocious little girl. Her eyes were so bright.

Then I understood.

The performance came from a little girl’s heart. She was a budding life. Her ambition was to shine. Her hope was to shine a bright light upon those who listened.

Before her sat warriors who had fought against darkness, and who would soon return to the inescapable darkness.

The song reached a resounding crescendo. The very young girl raised her hands theatrically, palms upward.

“. . . my home sweet home.”

Some of the old men struggled to their feet for a standing ovation. Some sat and wept.