Every day, in gardens throughout the city, new blossoms opened to their most beautiful, most glorious potential, and in bright clinics the elderly who refused to undergo youth treatments were euthanized.
Pietro was going on one hundred and fourteen and felt it. He had ceased his treatments. To avoid detection, he’d removed his master chip with a sharp scissors and whenever he ventured into the city he was careful to melt into darkness.
Pietro walked slowly at night with bent shoulders. He moved painfully, silently, face hidden in a scarf. He found his nourishment in the moonlight and trashcans. He gathered a few precious things that the extremely old need. Then, at the dawn of each day, he slipped through a secret door that welcomed vanishing souls to a black place beneath the city.
The underground refuge was the last free place that remained. It was a retreat where age was not shunned. The tug of time had drawn many into the ancient catacombs.
Pietro moved slowly down one long passage in the maze of candlelit catacombs and entered a chapel of bones. In the very dim light he could see dozens of leg bones and arm bones fastened to rock walls, forming crooked crosses. Skulls whose eye sockets flickered with small flames had been stacked high, almost to the roots of trees. It was a chapel without windows. Only fading eyes.
He entered a large stone chamber. The workplace of the bone artists.
The bone artists moved creakingly in that hollow of Earth, assembling dry bones that were sorted into piles. They didn’t see Pietro enter. The very old people hunched over their work, reaching with their meager fingers for raw material.
Half-formed in that obscure space was their vast Creation.
In that immense vault, where time was still sacred, bones had been assembled like unearthed fossils into visions that were sculpted from secret knowledge. Thousands of bones were fitted together into brittle, ponderous truths. The bones formed a subterranean world of gaunt trees, pale towers and skeletal fields . . . a world of bone horses, bone eagles, bone houses and a bleached city . . . a world beneath the world.
The bone artists worked silently, tying bone to bone, heads bowed. Their eyes were nearly shut. None saw Pietro enter.
“Look what I’ve brought!”
Cradled in the arms of Pietro were flowers that he had stolen in broad daylight.
The artists looked up. Eyes suddenly widened.
A few more candles were lit, and a crop of new flowers was soon sprinkled throughout Creation.