Climbing Higher

Night.

A dark mountain meadow.

The moon like a bright coin.

A thief moved across the ghostly meadow, melted into black pines.

Roy’s fingers searched the trunk of a tree and discovered a handhold. Blindly he lifted himself onto the lowest branch. Bending his legs, struggling to keep balance, he raised himself into space.

With one greedy hand he reached up again and groped. His fingers closed upon another branch. His muscles lifted.

Secretly he climbed.

A cold mountain wind whirled from the deepest corners of the night, lashing Roy’s upturned face. He fought unseen limbs as gusts swayed the tree. Black needles raked his arms like skeletons caressing.

A higher, more tenuous, more difficult branch.

An icy wind.

A few winking stars shivered through the ever thinning branches. Roy reached up greedily and grabbed hold of another branch, climbed higher, even higher. A careful thief, he climbed higher, higher, into multiplied stars, until the Earth spun a quarter million miles below.

One last branch.

He thrust his head above it.

A bright coin.

Roy collected the moon and put it in his pocket.

Here We Go

“Maybe I love trains because they’re a lot like life,” explained a father to his young son. The two sat together on the City Park Railroad, waiting for the short ride around the duck pond to begin. “You’re always moving forward, seeing something new–”

The small boy looked excitedly out the window.

He wondered what he would see.

He knew he’d see a whole lot of ducks floating out on the calm green water, and fishermen on the muddy banks casting their lines hoping to catch a prize bass.

He knew he’d see the short wooden pier jutting into the pond, and the bench near the end where he and his father had fished last summer.

He knew the train would eventually go over a bridge. His father had promised there was a bridge. It spanned a small creek that bubbled down into the pond through a patch of cattails.

And then the train might turn to follow the creek.

Looking out of the train’s window, waiting for his short journey to begin, the boy imagined the branches of willow trees fluttering over the sparkling creek. And dappled sunlight on long leaves. And a flock of blackbirds rising. And, as the creek wound upward into the nearby hills, a curtain of pine trees ahead.

Then the train might enter the pine forest.

And black towering trees would close all around, like a place in a dream, wind-whispering, wind-whispering.

The boy thought of stories he’d been told.

His father had been a young man hiking alone in the forest. Miles from home. He had heard the faraway sound of a wild turkey. He had turned to follow the call. It is rare thing to see a wild turkey. A very magical and lucky thing. His father had plunged forward through the deep forest, over slippery autumn leaves, pushing aside tangled branches, always turning, because that wild call kept shifting, from direction to direction, distance to distance. No, he never found what he sought. But he had found his way home.

And the story of how his very old grandfather, for one instant, had glimpsed a rare white deer in the forest. Nobody else in that forest had ever seen it. It was a chance encounter. Pure white. Like new snow. And then the vision had melted into shadow.

The magical deer was said to have vanished into the same dark trees where the boy’s great grandfather had faced a raging grizzly bear.

Perhaps, thought the young boy, he might also see a grizzly bear.

Then the train might emerge from the forest, climbing, winding, chugging over slopes of naked rock to high levels beyond the wildest turkeys, deer, bears. The cloudless sun, now so close, would shine brightly as the boy stared out the train’s window down upon a small patch of green forest and an endless world of hills, lakes and ponds scattered like shining pebbles below.

And then he would reach the highest mountain’s summit.

Suddenly the train rumbled and lurched.

“Here we go!”

The Taste of Flies

A child raced out of the kitchen’s back door before bacon and eggs were ready and hid under a branch of the old acacia tree.

The child caught sight of a shining web. Diamonds of dew glittered before surprised eyes like a bright, luring treasure.

A curious hand reached out.

“Please don’t break my web,” said the spider. “It took me an awfully long time to make.”

“Hello,” said the child.

“Shouldn’t you be eating your breakfast right about now?” asked the spider. “Why did you come running outside like some sort of crazy person?”

“I don’t know.”

“That can be very dangerous. Just because a door is cracked open doesn’t mean a body should rush through it.”

“Sorry.”

“I can’t help but notice you admiring my spectacular feat of aerial engineering. Isn’t it amazing? Are you curious how long it took me to create this miracle?”

“Why did you make that?”

“Good one!” laughed the spider. “It’s what I do. It’s what all spiders do. We knit our silk into a perfect geometric pattern and weave a beautiful trap.

“What you see is my tangible essence. My daily masterpiece spun from insatiable instinct.

“It’s my Sistine Chapel, my Starry Night, my Water Lilies. It’s my Persistence of Memory, my Guernica, my Night Watch. It’s my Garden of Earthly Delights, my Last Supper, my Mona Lisa.

“It is my self-portrait. It’s the place where I stand. I really can’t help myself. We spiders have to eat, too, like you.”

“What do you eat?” asked the child

“Silly flies that I trap.”

“What does a fly taste like?” the young child asked, suddenly thinking again about breakfast.

The spider laughed ominously. “Bacon and eggs.”

“You’re horrible! You’re nothing but a nasty little spider! What will you do if I break your web so you can’t kill any more flies?” demanded the child.

“I will eat my own miracle and weave again. But you won’t destroy my web because I can see you are exceptionally wise.”

“What does wise mean?”

“It means you speak to tiny things like me.”

The Bone Artists

Every day, in gardens throughout the city, new blossoms opened to their most beautiful, most glorious potential, and in bright clinics the elderly who refused to undergo youth treatments were euthanized.

Pietro was going on one hundred and fourteen and felt it. He had ceased his treatments. To avoid detection, he’d removed his master chip with a sharp scissors and whenever he ventured into the city he was careful to melt into darkness.

Pietro walked slowly at night with bent shoulders. He moved painfully, silently, face hidden in a scarf. He found his nourishment in the moonlight and trashcans. He gathered a few precious things that the extremely old need. Then, at the dawn of each day, he slipped through a secret door that welcomed vanishing souls to a black place beneath the city.

The underground refuge was the last free place that remained. It was a retreat where age was not shunned. The tug of time had drawn many into the ancient catacombs.

Pietro moved slowly down one long passage in the maze of candlelit catacombs and entered a chapel of bones. In the very dim light he could see dozens of leg bones and arm bones fastened to rock walls, forming crooked crosses. Skulls whose eye sockets flickered with small flames had been stacked high, almost to the roots of trees. It was a chapel without windows. Only fading eyes.

He entered a large stone chamber. The workplace of the bone artists.

The bone artists moved creakingly in that hollow of Earth, assembling dry bones that were sorted into piles. They didn’t see Pietro enter. The very old people hunched over their work, reaching with their meager fingers for raw material.

Half-formed in that obscure space was their vast Creation.

In that immense vault, where time was still sacred, bones had been assembled like unearthed fossils into visions that were sculpted from secret knowledge. Thousands of bones were fitted together into brittle, ponderous truths. The bones formed a subterranean world of gaunt trees, pale towers and skeletal fields . . . a world of bone horses, bone eagles, bone houses and a bleached city . . . a world beneath the world.

The bone artists worked silently, tying bone to bone, heads bowed. Their eyes were nearly shut. None saw Pietro enter.

“Look what I gathered!”

Cradled in the arms of Pietro were flowers that he had stolen in broad daylight.

The artists looked up. Eyes widened.

A few more candles were lit, and a crop of new flowers was soon sprinkled throughout Creation.

A Secret Junkyard

Pender glared at his marvelous invention. No matter how hard he hammered, the critical gear refused to turn.

Which meant the pendulum could never swing. And the pulley could never pull. And the mainspring could never spring.

And the crystal wings that projected from either side of his shining golden hummingbird would remain lifeless, eternally.

Pender’s invention lay motionless at the center of his desk.

He couldn’t bear to look at it.

Reaching across of his desk, Pender pressed several keys of an antique black typewriter. A fatal click sounded in his private study. A bookcase swung open.

Pender jumped up, roughly grabbed one crystal wing and whisked his failure across the small study. With one lunging step he carried it through the bookcase . . .

Behind Pender’s books stretched a junkyard. An immense junkyard–his infinite, private, painful secret. His manifold failures littered a bewildering expanse. Scattered to the right and to the left, his wrecks had been thrown carelessly into chaotic nonexistence. Pender felt bitter revulsion for that junkyard. So many marvelous inventions, each aborted.

Pender tossed the shining hummingbird over a few broken things and it landed in a lifeless heap. He turned, determined not to see.

So many aborted dreams.

Every one wonderful.

An elegant baby grand piano, attached with baling wire to the top of a diesel locomotive. But the train was too loud.

A fifty-foot mechanical clown powered by the sonic energy of human laughter. But nobody laughed.

A glass carriage containing one thousand red roses and an Egyptian mummy. But the smell was horrific.

A flying saucer built with toilet paper tubes, tinfoil, rubber bands, white multi-purpose glue and three jet engines. But the rubber bands inevitably broke.

A magnificent hot air balloon of sewn-together silk stockings. A few stockings had holes.

A gigantic pirate ship carved out of Swiss cheese. The rats fled.

An upside down triangular house. That had a tendency to tip over.

A contraption consisting of a warped lawn chair, a pair of skis, one rubber tire, a bicycle chain, a mannequin, a cuckoo clock, a stove pipe hat, goose feathers, profuse sweat and shed tears.

Pender’s brightening eyes lingered on the contraption.

It had so much potential.

Impulsively, Pender grabbed hold of his preposterous creation, lifted it with all of his strength and carried it out of the secret junkyard into his small study. He placed the thing on his desk. He tested the bicycle chain and straightened the stove pipe hat.

Pender touched several keys of his black typewriter, closing the bookcase.

He feverishly went to work.

The Pistachio Rocket

High arches shaped like immense bones had been erected in the city plaza. According to a sign it was a temporary art installation. At night hundreds of suspended lights illuminated the space beneath the bones. The effect was fantastic. The bones vanished and the colored lights became a galaxy of stars.

During lunchtime many in the plaza paused to read the sign. The thing was titled Earthbound. Predictably entering the yawning entrance, a line of people passed through unelectrified bones. When they exited they walked on as though nothing had happened.

I watched people move through the bones from a bench as I devoured my sandwich.

People walked steadily through. I’m not sure what they expected to see.

A tiny girl with an ice cream cone came flying across the plaza. She darted straight into the bones. She sprinted wildly to the opposite end, twirled around, ran back out into the open. She jumped up and down excitedly, laughed, yammered something I didn’t understand, then dashed once again into the bones. Stopping halfway through, she began leaping up and down with abandon, swinging her arms with glee, sending the pistachio ice cream on her cone up through the air like a green rocket. I don’t believe she read the sign.

What the Giant Saw

According to ancient legend, a giant had piled rocks on the east bank of the river, creating a dark mountain. The mountain was a cairn, placed by the giant so that one day he could find his way back from the frozen North, to take revenge on the knights of old.

One morning the returning giant suddenly appeared over the mountain. He placed his hairy hand atop the rocky peak and sat down, cooling his feet in the trickle of river.

“What’s this?” he asked with a voice like thunder.

Across the river there had been a strange change. The castle had vanished. No knights in bright armor charged out to meet him.

Before him lay a postpostmodern city. Ant-size automated cars traversed a network of unpeopled streets, moving in straight lines from one point to another, then to another, then to another, then to another. The self-driving cars moved with perfect regularity between rows of inoffensive, windowless edifices. The pod-like cars were also windowless, designed to deflect dangerous sunlight and conserve precious energy. They transported their minuscule cargoes with perfected efficiency.

The giant stared for a few minutes at the lifeless scene. None of it seemed real.

He soon lost interest.

As he stood up to return north, the clumsy giant accidentally knocked down a stone from the top of his useless cairn.

The catastrophic flood was beyond understanding.