The Weed

Jules sipped a rum and tonic by the rooftop pool. He regarded a weed in a flower box. He didn’t recall seeing it before.

The crooked, gangling weed must have grown quickly. It towered above the trimmed flowers. Its wild green had unfurled like a flag.

Jules relaxed in his chaise lounge and knew that if he carefully watched the weed for hours and hours he’d observe its ascent. He took another sip.

There was a sudden vision of Jack’s beanstalk.

He saw the green weed growing higher.

The weed rose from the rooftop pool and the surrounding rooftops up into blue sky, and the city streets below became very small. The weed penetrated a white cloud. It emerged above the cloud and continued to grow.

It passed a flying dragon.

It passed a witch on her broomstick.

It neared a castle.

From the castle an astonished giant watched the green weed shooting past.

The weed left Earth’s atmosphere and passed a cow jumping over the moon.

The weed, whose seed must have been blown to the rooftop on the wind, passed Martian canals, a whirling space ship, and peculiar stone heads on a desert island. It passed a mummy walking upon the rings of Saturn. It passed ghosts and angels.

It passed Hermes returning to Mount Olympus, a flaming Firebird, and the imagination of a young boy taking flight.

It passed through galaxies containing minute planets where civilizations rose and fell like dust and the stars were too numerous for any sane person to count.

Jules sipped his rum and tonic by the pool on the rooftop. Fairy tales.

The tall weed in the flower box disrupted his view of the city.

He sprang from his chaise lounge and pulled it.

Father’s Paintbrush

My father’s hobby was painting. You’ve probably never heard of him because he never became known. He never sold anything.

When I was a very young boy I often watched Father standing before his easel on our green lawn, painting ordinary scenes from our backyard. It’s one of the few things from my early childhood I still remember.

He’d paint the old oak tree with its rope swing. Or the hibiscus bush with its flaming red flowers tangled in the dirty white fence. Or that small birdbath at the center of our lawn.

His act of painting had seemed magic to me. I remember how I’d look up to watch him paint a cat on the fence, and then he’d smile down at me and point to the fence. There was the cat!

I’d watch him paint a cloud that looked exactly like a mountain peak in the blue sky. And he’d point to a cloud that looked exactly like a mountain peak in the blue sky!

His paintbrush, to me, was a magician’s wand that created the wonders all around me. His brush created sudden tiny flowers in the grass and shining golden leaves. It materialized an entire bright world. When you’re very young, you believe anything.

His finished paintings were hung in a corner of our garage until the dim garage resembled a dusky art gallery, crammed with oak trees and red flowers and birdbaths and mysterious cats and clouds that resembled many things. When the big garage door opened it seemed as if the sun had just risen: and there in new light were those moments of magic, framed by hanging garden tools!

I remember something else. When my father painted, I’d beg that he summon impossible things. I wanted his magic paintbrush to create an elephant in our backyard. Or a dinosaur. Or a castle. A spaceship popping onto our lawn would be so amazing! But, no, he explained, he didn’t know how to paint those things. It was a big disappointment to my credulous mind that a shiny silver spaceship would never pop into our backyard.

Of course, the day came when I learned paintbrushes aren’t magic. That was the day I ran outside and stopped beside my father and saw that he was painting a strange man. The strange man stood mysteriously on the green lawn, between the oak tree and birdbath. I was confused. I looked from the painting to the lawn and nobody was there. Just grass.

The man painted on the canvas resembled nobody I knew. To me it seemed as though Father had summoned a stranger into our backyard, but the stranger had not come yet. I stared at the painting feeling disappointed. Perhaps the strange person would leap over the dirty white fence at any moment and stand before us.

Obviously, it didn’t happen.

That painting like all the others ended up in our garage, and so did the strange man, standing between the oak tree and bird bath and the hanging garden tools. That my father’s paintbrush wasn’t magic after all saddened me for a day or two, but I soon was laughing. Paintings are nothing but paintings.

As you grow older you discover the truth. You learn to differentiate between fantasy and reality.

You understand there is no magic. And you become embarrassed about silly things you actually believed as a child.

After my father died, my wife and I returned to the old house. We inventoried the clutter in the old bedrooms, the kitchen, dining room and family room. I lifted open the big garage door and there in that new dawn of light were all the paintings exactly as I remembered them: oak tree, small birdbath, cat, clouds.

Gazing at scenes that had been rendered by Father years and years ago, I wondered if anything I faintly remembered had been real. Had that cat really been sitting on our fence or had I merely imagined it? Had there been a cloud of that particular shape in the sky?

My wife, standing beside me, suddenly pointed at one painting just above eye level.

She put her hands to her mouth. “Oh my God!”

It was the painting of the strange adult man standing on our lawn. The man appeared exactly like me.

Philosophy Road

Certain memories remain vivid.

Three little boys–my two brothers and I–growing up in a high plains town in the middle of nothing.

From a dusty window above Mama and Papa’s brick store, staring out at mountain ranges a hundred miles distant. But we couldn’t see the next town.

A mile down the straight dirt road was a pioneer cemetery. Fuller Creek Road. That’s the dirt road we headed down to reach the highway when we rumbled in our truck to the hours away city. Back up Fuller Creek road we’d come bouncing and shaking, truck bed full of shrink-wrapped cartons: toothpaste, toilet paper, candy bars, pain reliever. Things lost tourists might buy.

The dirt road was the one thread of Earth that kept a poor family alive. It was our umbilical cord. It led right past that pioneer cemetery. Fuller Creek Road. Mama, with her odd sense of humor, liked to call it Philosophy Road.

The pioneer cemetery was barely visible when we passed it by. It occupied a low hill between the road and creek. The crosses and headstones had fallen over, disintegrated, returned to the dust. The only thing you could see was unbroken green grass, and gray and green cottonwoods whose leaves shivered in the blue sky beyond the hill.

On summer afternoons my two little brothers and I would ride our bikes down Fuller Creek Road past that pioneer cemetery.

We’d stop when we reached the spot where Fuller Creek Road crossed over the creek. We’d dismount, walk our bikes down a steep rocky bank to enter the cool darkness under the concrete bridge. It was a secret place that was our own.

Beside the bubbling creek were perfect places to sit. One could listen to the water, watch a pair of paddling ducks, examine sun-faded, windblown litter, throw dirt clods at mud.

As we sat comfortably on flat dry smooth boulders, we’d talk nonsense about girls, the ranking of the next state’s college football team, and a million other things, but mostly about matters we couldn’t possibly understand.

We’d laugh as we drank beers. Mama forbade that. I don’t think she ever found us out. She knew much, but not about that. At least, I don’t think so.

We’d all three brothers spin headlong into the future as we sat and concocted the wildest, most absurd destinies. How we’d each become quarterback and win the National Championship. How we’d win the state lottery and use the money to build a castle with four stone towers and a working drawbridge next to Plover Pond. How we’d lasso a wild horse out on the rolling plains, train it in the abandoned corral north of town, then win the Kentucky Derby. How we’d figure out that Miller girl we saw once every month, and marry her. How we’d save the world and become big heroes.

Sometimes we’d cast a line tied to a stick hoping for a fish. In that trickle of water we knew fish were unrealistic, but one of my brothers did catch one.

Just before the sun touched the horizon, as we biked back home down Fuller Creek Road, we’d listen to the chit chit teer terrr-eeee of red-winged blackbirds perched in the trees beyond the vanished cemetery. We’d see the shivering leaves of cottonwoods turned golden. But we never stopped.

When we did get home, we’d all three laugh behind Mama’s back at the terrible things we’d accomplished.

Funny. I really can’t remember a specific word my brothers and I said under that bridge.

Whenever I happen to think of it, I believe I understand what my mother meant.

Why she called it Philosophy Road.

Spinning the Earth

As he balanced precariously atop a stray basketball, Jack had a revelation. Because he could walk on the basketball and spin it backward, he could also spin the Earth.

Jack tapped Jill’s shoulder and told her to watch. He ran from the playground to the edge of the basketball courts then thrust his arms skyward in triumph. He had spun the Earth backward.

“I can spin the Earth even faster!” Jill insisted.

“No you can’t.”

“Yes I can. I’m faster than you!”

To prove the truth of her assertion, Jill sprinted away, causing Jack, who stood watching, to recede like the rest of the planet’s surface behind her.

“Let’s race!” Jack challenged.

The two crouched behind a straight shadow cast by the swings, just the way real racers do, getting ready . . . set . . . GO!

The Earth spun beneath their feet faster than ever.

“But what happens if I run one way and you run the other?” wondered Jill. “The Earth would have to spin in two different directions.”

“Maybe we can rip it in half!” Jack said enthusiastically.

“Let’s try!”

Ready . . . set . . . GO!

Two pairs of unstoppable feet raced in opposite directions, but there was no earthquake, no splitting of granite, no cataclysm of any kind, except that two people had drawn far apart.

Jill shouted: “Let’s run toward each other and see what happens!”

They nearly collided.

And lo and behold, the Earth remained solid, and steady, and in orbit around the bright distant sun, and reliably beneath their feet.

They stood eye to eye grinning.

A Secret Junkyard

Pender glared at his marvelous invention. No matter how hard he hammered, the critical gear refused to turn.

Which meant the pendulum could never swing. And the pulley could never pull. And the mainspring could never spring.

And the crystal wings that projected from either side of his shining golden hummingbird would remain lifeless, eternally.

Pender’s invention lay motionless at the center of his desk.

He couldn’t bear to look at it.

Reaching across his desk, Pender pressed several keys of an antique black typewriter. A fatal click sounded in his private study. A bookcase swung open.

Pender jumped up, roughly grabbed one crystal wing and whisked his failure across the small study. With one lunging step he carried it through the bookcase . . .

Behind Pender’s books stretched a junkyard. An immense junkyard: his infinite, private, painful secret. His manifold failures littered a bewildering expanse. Scattered to the right and to the left, his wrecks had been thrown carelessly into chaotic nonexistence. Pender felt bitter revulsion for that junkyard. So many marvelous inventions, each aborted.

Pender tossed the shining hummingbird over a few broken things and it landed in a lifeless heap. He turned, determined not to see.

So many aborted dreams.

Every one wonderful.

An elegant baby grand piano, attached with baling wire to the top of a diesel locomotive. But the train was too loud.

A fifty-foot mechanical clown powered by the sonic energy of human laughter. But nobody laughed.

A glass carriage containing one thousand red roses and an Egyptian mummy. But the smell was horrific.

A flying saucer built with toilet paper tubes, tinfoil, rubber bands, white multi-purpose glue and three jet engines. But the rubber bands inevitably broke.

A magnificent hot air balloon of sewn-together silk stockings. A few stockings had holes.

A gigantic pirate ship carved out of Swiss cheese. The rats fled.

An upside down triangular house. That had a tendency to tip over.

A contraption consisting of a warped lawn chair, a pair of skis, one rubber tire, a bicycle chain, a mannequin, a cuckoo clock, a stove pipe hat, goose feathers, profuse sweat and shed tears.

Pender’s brightening eyes lingered on the contraption.

It had so much potential.

Impulsively, Pender grabbed hold of his preposterous creation, lifted it with all of his strength and carried it out of the secret junkyard into his small study. He placed the thing on his desk. He tested the bicycle chain and straightened the stove pipe hat.

Pender touched several keys of his black typewriter, closing the bookcase.

He feverishly went to work.