The Bone Artists

Every day, in gardens throughout the city, new blossoms opened to their most beautiful, most glorious potential, and in bright clinics the elderly who refused to undergo youth treatments were euthanized.

Pietro was going on one hundred and fourteen and felt it. He had ceased his treatments. To avoid detection, he’d removed his master chip with a sharp scissors and whenever he ventured into the city he was careful to melt into darkness.

Pietro walked slowly at night with bent shoulders. He moved painfully, silently, face hidden in a scarf. He found his nourishment in the moonlight and trashcans. He gathered a few precious things that the extremely old need. Then, at the dawn of each day, he slipped through a secret door that welcomed vanishing souls to a black place beneath the city.

The underground refuge was the last free place that remained. It was a retreat where age was not shunned. The tug of time had drawn many into the ancient catacombs.

Pietro moved slowly down one long passage in the maze of candlelit catacombs and entered a chapel of bones. In the very dim light he could see dozens of leg bones and arm bones fastened to rock walls, forming crooked crosses. Skulls whose eye sockets flickered with small flames had been stacked high, almost to the roots of trees. It was a chapel without windows. Only fading eyes.

He entered a large stone chamber. The workplace of the bone artists.

The bone artists moved creakingly in that hollow of Earth, assembling dry bones that were sorted into piles. They didn’t see Pietro enter. The very old people hunched over their work, reaching with their meager fingers for raw material.

Half-formed in that obscure space was their vast Creation.

In that immense vault, where time was still sacred, bones had been assembled like unearthed fossils into visions that were sculpted from secret knowledge. Thousands of bones were fitted together into brittle, ponderous truths. The bones formed a subterranean world of gaunt trees, pale towers and skeletal fields . . . a world of bone horses, bone eagles, bone houses and a faded city . . . a world beneath the world.

The bone artists worked silently, tying bone to bone, heads bowed. Their eyes were nearly shut. None saw Pietro enter.

“Look what I gathered!”

Cradled in the arms of Pietro were flowers that he had stolen in broad daylight.

The artists looked up. Eyes widened.

A few more candles were lit, and a crop of new flowers was soon sprinkled throughout Creation.

A Brief Note

Even if nothing really matters–
and nothing endures–
and nothing counts.

Even when nobody cares–
and nobody knows–
and none remember.

Even when a thousand mouths snicker,
disbelieve, mock,
pummel with scorn.

Even at life’s end, twisted with regret,
thinking I might have–
could have–should have–

Even though a world becomes dust,
I did a few things
I felt were good.

The Perfect Snowflake

Sanji was aware that he was dreaming.

He was walking through a silent white forest. Pine trees blanketed with snow rose on every side.

When Sanji was a young child, the lucid dreams had been frequent. That was a lifetime ago, when he spent his waking hours pretending to streak past a billion billion stars as he traveled in a spaceship to the far end of the universe.

As a middle-aged man he slept without dreams.

Until this night.

Sanji moved through the white forest deliberately and searched the snow with devouring eyes. He turned his feet in every direction, crushing fresh powder with every step, and at last halted on the bank of a frozen river. He could hear running water bubbling beneath the emerald ice.

Sanji had searched the unknown his entire adult life. Somehow, after many dreamless nights, he had become a leading theoretical physicist. He lived in a small world of unending numbers, odd symbols. Penning equations, scratching them out. Now he gazed down at the frozen river and knew for certain that he was asleep and dreaming, and that what he saw before him was absolutely real.

Looking up, he saw white particles floating from the trees. One drifted down, landed on his fingertip.

He held the snowflake next to one eye.

He stared at its shape.

The tiny snowflake was an infinity of jigsaw pieces fitted together into one seamless whole. Pieces of infinitesimal essence.

He caught his breath in the airless cold.

He had found something that he had never seen before. A perfect snowflake. The most simple of all possible truths.

The crystal snowflake was an unbidden, elegant revelation, like inspired strokes of chalk on a newly-cleaned chalkboard: a brilliant equation of white: a mathematical certainty that explained all things.

All Sanji’s life he’d grappled to unravel the truth. He had fought to weld together that desperate mathematical Theory of Everything.

Now it was on his finger.

In the perfect snowflake he saw the precise truth that was written at the beginning of all things. He saw the origin, the movement, the destiny of the universe. The final equation shimmered before him. He saw each finite number distinctly. It was simple. He’d found it.

Sanji heard a patter of rain.

He listened to the rain and was aware that it was dark. And that he was warm in bed.

Outside his bedroom window streaked dark ghostly rain.

Suddenly he remembered his dream.

Despair.

He had to write it down. That equation.

He knew there was a notepad on the desk by the window–and on top of the notepad a ballpoint pen. He jumped up.

The ghostly rain outside his room drew his eyes to the window. Softly glowing raindrops were coursing separately down the pane, like pulsing atoms or universes, flowing, colliding, combining, accelerating, vanishing. The raindrops followed defined courses, courses easily formulated, with destinies known. And yet each was a mystery. Each drop was birthed out of darkness–each was a vision beyond his reach.

Sanji blinked. He’d forgotten his dream.

A Dog’s Tail

Every Sunday afternoon a large dog accompanied an elderly woman to the park. The friendly dog would sprawl in some shade on the grass, sniffing the warm air or watching the birds flit from tree to tree, while the little old woman sat nearby on a bench. Sometimes I would peek over my book and secretly watch the two.

It was the dog’s tail that inevitably drew people. Swish, flop, swish, flop that ragged tail went, like a crazy outlandish spring. The unstoppable tail was a signal understood by everybody in the park to waltz on over.

Whenever a stranger came near, the tail would really start banging. Lying with its four legs stretched out, seeing the approach of a human smile, the dog would sometimes let loose with a joyful bark, but it never jumped up. When the stranger bent over to rub its belly, the tail moved so excitedly I thought it must defy the laws of physics.

The stranger, after a few more rubs, would glance up at the silent old woman. Her eyes were always down upon the dog. “A very big animal, isn’t it?” the stranger would ask. An almost imperceptible nod for reply.

The stranger would then turn and walk away.

Then the dog would rise beside the old woman. She would place a wrinkled hand atop the dog’s head and the tail would gradually slow.

When a small group of children came up to the dog one early afternoon they didn’t even look at the old woman. They were too enchanted. The dog’s tail thumped madly. Every young hand sought its soft, warm coat, accelerating the tail. Every hand transmitted love. The dog soaked it all up. Like a furry, vibrating battery. The old woman remained motionless.

The old woman never spoke. But I do know one thing about her. When strangers walked away, the dog rose. And her hand always sought the dog’s head.

And as the tail moved slower, slower, slower, the large dog would stare directly into her eyes.

It seemed to me that a strange, undefinable energy passed up her thin arm.

But I never saw her face.

Elvis and the Time Machine

You’ve probably seen Elvis–with that ridiculous hair, upturned collar and sequined jumpsuit–riding his Time Machine up and down Main Street every single day. I’m not sure where in town the guy lives. But he’s out there riding the Time Machine up and down the street and, I’m positive, savoring every minute of it.

Everyone laughs. Many shake their head. That absurd Time Machine is impossible to miss.

Bright silver-painted cardboard panels envelope the rickety little bicycle. It’s like the rocket ship dream of a child–with fins, and a whirling red police light mounted behind the bicycle seat, and flying streamers on the handlebars, and a galaxy of painted stars, and spelled out on the cardboard on both sides in big glittery letters: TIME MACHINE.

Veering with abandon, good old Elvis steers his Time Machine up and down Main Street all the live-long day. Pedaling forward, moving through time.

First Street.

The traffic light turns green.

Second Street.

The church clock strikes the quarter hour.

Third Street.

The sun moves higher above the horizon.

Fourth Street.

A woman opens the window shades, breathes in and gazes across the land.

Fifth Street.

Secret lovers behind the gas station kiss and part.

Fourth Street.

A boy forgets his school books and sprints back home.

Third Street.

A man remembers how his uncle burned the casserole the night before and laughs.

Second Street.

A wrinkled hand wipes away sudden tears.

First Street.

A nearby dog barks.

Second Street.

A rocking chair rocks.

Forward through time Elvis travels, his preposterous Time Machine shining brightly like a shooting star.

Back and forth, up and down Main Street he pedals.

A Short Bloom

The old man was puzzled by so many selfies.

“Why? Because people want to see themselves in Heaven,” explained the gardener. He held a rake loosely in one hand. The park was crowded.

“That is why eyes look into cameras, into lenses. For one moment in spring the cherry blossoms bloom, so everybody smiles, frames their own face.

“They would like to appear in Heaven. But few understand the nature of what they see.

“Blossoms soon fall. Blooms are crushed under feet.

“With a button every person will make a painting of Heaven. Perfect white and pink clouds, angel faces, snowflakes fluttering in this unending wind.

“But snow melts into the thirsty Earth. Delicate blossoms are tread to dust by a thousand searching feet. All things return to the Earth. This good Earth.

“Paintings are put into vaults. And we become old.”

An Old Man on a Bus

The old man appeared very frail.  From the few white hairs on his scabbed head . . . to his watery eyes . . . to his trembling hands.

“Good morning,” he said politely as he boarded the city bus.

The driver ignored him.

The old man nodded and struggled down the aisle to get to an empty seat. His feet shuffled. Slowly, painfully, he turned his body, grabbed the rail, bent like a skeleton to sit. The passengers on either side did not look up from their phones.

The bus started with a sudden jolt and the old man tipped into a neighbor. “I’m so sorry,” he laughed with embarrassment.

No reply.

Each stop on Fourth Avenue brought a fresh tide of riders. The old man sat without moving–except trembling hands. All eyes avoided him.

Until the arrival of a young man.

“You’re really, really old,” said the youth, who sat across the aisle and stared directly at him from behind dark sunglasses.

“I am.”

“Doesn’t life suck when you’re old and about to die?” The young man spoke mockingly.

“It does.”

“You have to be at least a hundred years old. Don’t you worry someone like me might beat you up?”

“I can tell that you won’t,” smiled the old man.

“Oh, yeah? Why’s that?”

“Because I can see you’re just an ordinary person.”

The youth turned his head and laughed at the window. Outside the city blurred past.

The old man said: “I know you’re an ordinary person because a long time ago I was exactly like you. I thought I was something special, nothing could touch me. I could insult the entire world and nothing would happen.

“Nothing could stop me. I would beat up every person that stood in my way. The future was mine.

“Now what do you see?”

The young man saw in his window the old man’s smiling reflection.

At the next stop the young man jumped up and hurried off.