Waving at a Distance

Joey liked to talk to himself about deep mysteries.

He often talked about religion, and sacred texts, and sleeping outside in moonlight, and the little-known teachings of prophets, and the cruelty of rich people, and the innumerable conspiracies of the Masons and the Illuminati.

Most days he sat on a bench halfway down the pier waving at people. He really liked to wave at people passing at a distance on the big harbor tour ships. They were the nicest.

When those people saw him they all waved back. Leaning on the ship’s rail, or sitting in rows on white plastic seats facing the water, the people upon seeing him would all wave at him with happy faces and genuine smiles. They’d wave and wave and wave, as if they couldn’t wave enough, and Joey waved happily back.

Even at a distance he could clearly see their faces. He could see how the free wind moved in their hair and he could see the strange way that passing sailboats tugged at their eyes. In their eyes he saw a deep love for the gentle, rippling water and the floating clouds in blue sky. He loved those things, too.

He easily saw their joy. As he waved, he could feel an electric love and yearning passing between them, like radio waves across the water.

Even at a distance, Joey could see the light in their eyes.

When Joey waved at people who were walking past his bench on the pier, they ignored him.

A Ship Without Ghosts

Simon had felt curious about the century-old ferryboat. That’s why he sat for a few minutes in the center of the elegant passenger deck. Nobody else was present. Even on an early Saturday afternoon, the museum ship was dead.

As he rested on one of the many varnished wooden benches, Simon was touched with wonder. The eternal sun was beaming through the wide, open windows on the port side; it shined through panels of stained glass that crowned every window. Rays of bright colors made small rainbows in floating dust. Obviously, ordinary people had once traveled in high style. Light reflecting off the water outside twinkled on carved rosettes in the ivory-like ceiling. The spacious passenger deck seemed almost holy: perfect, light-filled, quiet.

Empty and quiet.

Simon tried to imagine passengers sitting all around him on those rows and rows of elegant benches. He tried to imagine what they might talk about, crumpled newspapers in hand. He tried to imagine what they wore, their facial expressions, their innumerable stories, their hardships and destinations.

He struggled to see it.

Simon did observe in a shadowed corner near the ceiling a place where the wood was rotted. He noted dust under the benches, mildew along window sills, missing tiles on the dirty turquoise and gold checkered floor.

“Do you have any questions?” a voice startled him.

He turned about to see a white-bearded museum docent. The gentleman in a ratty sea captain’s cap stood with a small smile, patiently awaiting a question.

To his own surprise, Simon’s mind was blank. So many vague questions–he really didn’t know what to say. None of it seemed to matter.

“Why does nobody come here?” Simon finally asked, ending an uncomfortable silence.

“People no longer care about ships,” came the smiling reply. “Ships are old news.”

“Old news?”

“Passengers don’t travel by ship anymore. Not the way they once did. People nowadays just see them in television or movies. Pirate ships, mostly.”

“But aren’t people even curious to see what it was like to ride on a vintage ferryboat? When I was a very young child I rode on an amazing old ferryboat. I still remember the shining ornamental brasswork. I remember that feeling of floating on the water, and gazing out a window at the sparkling bay. I remember my sister buying me a Hershey’s candy bar from a man in a uniform behind a polished counter. It wasn’t that long ago.”

“Look around at this big crowd. How curious do you think people are?”

“I see what you mean.”

The docent smiled. “Any more questions?”

“Yes. Wait–” Simon searched his mind. “I don’t get it. There are thousands of people who drive down the highway past this old ship every single day, going to and from work, or going somewhere else, but nobody even wants to stop and take a look inside? Do you think that’s because people are too busy?”

“Yes, everybody’s busy. But there’s no need to stop. See this?” The man pulled from his pocket a brand new smartphone. “Today every one of us carries a tiny universe in the palm of our hand. Everyone can see a nice picture of everything.”

“But it isn’t real!”

“Oh, yes it is.”

“But what about the sea breeze coming through the windows . . . and the ship’s roll . . . and the salty smell . . . and the wood’s shine? What about the piercing cries of gulls above . . . and the sparkling water below . . . and sunlight through stained glass? What about the faint echoes of those who lived . . . words spoken stranger to stranger over crumpled newspapers? The infinite stories that speak from the dust?”

“Only this ship’s ghosts can remember those things,” replied the white-bearded docent.

The old man waved his smartphone, jammed it back into his pocket. “And ghosts, as you know, don’t exist.”

“But you– And me–”

The man turned away.

Elvis and the Time Machine

You’ve probably seen Elvis–with that ridiculous hair, upturned collar and sequined jumpsuit–riding his Time Machine up and down Main Street every single day. I’m not sure where in town the guy lives. But he’s out there riding the Time Machine up and down the street and, I’m positive, savoring every minute of it.

Everyone laughs. Many shake their head. That absurd Time Machine is impossible to miss.

Bright silver-painted cardboard panels envelope the rickety little bicycle. It’s like the rocket ship dream of a child–with fins, and a whirling red police light mounted behind the bicycle seat, and flying streamers on the handlebars, and a galaxy of painted stars, and spelled out on the cardboard on both sides in big glittery letters: TIME MACHINE.

Veering with abandon, good old Elvis steers his Time Machine up and down Main Street all the live-long day. Pedaling forward, moving through time.

First Street.

The traffic light turns green.

Second Street.

The church clock strikes the quarter hour.

Third Street.

The sun moves higher above the horizon.

Fourth Street.

A woman opens the window shades, breathes in and gazes across the land.

Fifth Street.

Secret lovers behind the gas station kiss and part.

Fourth Street.

A boy forgets his school books and sprints back home.

Third Street.

A man remembers how his uncle burned the casserole the night before and laughs.

Second Street.

A wrinkled hand wipes away sudden tears.

First Street.

A nearby dog barks.

Second Street.

A rocking chair rocks.

Forward through time Elvis travels, his preposterous Time Machine shining brightly like a shooting star.

Back and forth, up and down Main Street he pedals.

A Short Bloom

The old man was puzzled by so many selfies.

“Why? Because people want to see themselves in Heaven,” explained the gardener. He held a rake loosely in one hand. The park was crowded.

“That is why eyes look into cameras, into lenses. For one moment in spring the cherry blossoms bloom, so everybody smiles, frames their own face.

“They would like to appear in Heaven. But few understand the nature of what they see.

“Blossoms soon fall. Blooms are crushed under feet.

“With a button every person will make a painting of Heaven. Perfect white and pink clouds, angel faces, snowflakes fluttering in this unending wind.

“But snow melts into the thirsty Earth. Delicate blossoms are tread to dust by a thousand searching feet. All things return to the Earth. This good Earth.

“Paintings are put into vaults. And we become old.”

The Child and the Koi

“What’s that, Mommy?”

“That is a koi.”

The child leaned over the still water to stare down at the beautiful koi. The water was perfectly clear, like crystal. The koi rose to the surface, mouth working.

“Hello,” said the fish. “Why are you looking at me?”

“Because you’re orange.”

“Is there something wrong with orange?” asked the fish.

“No. I like it.”

“I’m glad you like my color. But if there’s nothing wrong with orange, then why do so many of you people stand there and stare down at me?”

“I know why!” said the child.

“Then please tell me.”

“Because they think you look like fire.”

“I look like fire? What is fire?”

“Fire is a mouth that rises.

“Fire is always hungry, like you. It eats every little thing it sees.

“Fire eats houses.  Fire eats schools.  Fire swallows cities and sacred temples and palaces of adamant.

“And fire is very beautiful.”

“It is?”

“But fire quickly vanishes in clear water,” explained the child.

“Now I understand. So I must go.”

The koi swam away.

Final Real Magic

The Great Sampson was a magician without peer. Five thousand shows in a hundred grimy towns and he never complained. The stiffs working the carnival regarded him with a mixture of wonder and derision.

“And now,” the Great Sampson waved, “my final act!”

A few people in the dingy tent regarded the theatrical old man. They were thinking about home. In a few minutes night would fall. Other sideshow tents were already being hastily dismantled, folded up. The Great Sampson, in his black top hat, had picked up a thin book covered with gold lettering and had shakily climbed into an open black box that resembled a coffin.

The old man ran his fingers through an ebony beard, which he had obviously curled and dyed. He opened the shining book as he faced the audience: several bored adults and one boy.

“Until this very moment,” he announced grandly, “no magician in the entire history of the world has actually performed magic. Illusion and deception have been substituted for magic, and millions of believers have been told by deceitful entertainers that they are witnessing the effects of true supernatural power. You, my good friends, will be the first to ever witness real magic. You will remember this day for the remainder of your lives. So pay very close attention. Don’t blink!”

The Great Sampson took a deep breath. He hesitated. He visibly trembled. “And now, after years of struggle, after years of false starts and dead ends, after years and years of searching: my life’s greatest and only worthwhile achievement!”

He held up the shining book with gold lettering and read: “Minui fines vitae justo in aeternum!

The Great Sampson vanished.

The carnival sideshow audience stood with jaded expectation on the crushed dirt floor.

Nothing happened.

The people waited patiently for a minute, then two.

Nothing happened.

A man in back finally slipped out of the dark tent.

Nothing happened.

A couple near the black box shrugged, laughed and left.

Nothing happened.

Everyone left.

Everyone forsook the black box except the boy. In that shadow of doubt he didn’t dare move.

Something terrible–something extraordinary had happened. The boy could sense it. A shivering thrill fixed his feet in place.

Summoning courage, he inched forward, leaned slowly over, and peered into the box.

Skittering nervously at its bottom, a gray mouse was frantically trying to escape.

The boy’s heart pounded. His mind raced.

He jumped.

“Show’s over,” boomed a voice behind him. A carnival worker’s face was poking into the dark tent with a glare of impatience. “Time to go home kid.”

“But what about the Great Sampson?” the boy protested.

“What about who?”

The boy was indignant. “The Great Sampson is gone!”

“You need to be gone, too. Now get the hell out of here or someone might call the cops.” The worker shot him a exasperated look and left.

The boy hesitated. Nothing that had just happened–the magician’s strange speech–that split second when he had vanished–none of it seemed real.

The boy remained alone in the tent, looking down at the small helpless mouse. He had to decide. Quickly. He reached into the black box and took the mouse gently into his hand and slipped out of the tent into the twilight. The carnival was over. Indistinct lumps of canvas littered the ground.

The soft mouse in his hand had calmed down. The boy saw a man heaving plastic garbage bags onto a flatbed truck and hurried over.

“I think I know what happened to the Great Sampson!”

“What happened? What the hell are you talking about?”

“The Great Sampson disappeared about ten minutes ago! He was doing his very last magic show and I think he actually turned into a mouse. He said it was his final act! He said he would finally do real magic!”

“Get the fuck out of here. You’re crazy.”  The man turned back to the garbage.

. . .

As the boy walked rapidly home, he stared frequently through his fingers at the mouse. It seemed to be an ordinary gray mouse.

He slowed at the grassy park several blocks from his home, and he sat down on the bench in the lamp’s soft light. He opened his hand just enough to closely examine the mouse. It seemed perfectly ordinary. “Can you hear me?” the boy asked.

The nervous mouse looked about, seemingly at nothing.

“If you can hear me, let me know. Do something. Nod your head.”

The mouse’s head quivered. It looked up at the boy.

“I don’t know what to do. Are you really the Great Sampson? Can you turn back? Are you going to turn back?”

No answer. None was possible.

“If that was really your final act–” The boy looked at the mouse feeling puzzled, hopeless. “Why did you do it?

“So you wanted to do real magic? Why? To become something different?”

He leaned sideways to pull an object from his back pocket. It was the strange shining book with gold lettering. It had also remained at the bottom of the box.

The book appeared to be a journal. It was the type of cheap mass-produced journal that anybody can buy for a couple dollars at a store. The boy read elegant gold letters on the cover. They formed the words: Follow Your Dreams.

. . .

Sitting on the bed in his room, still holding the mouse in one hand, the boy opened the thin journal. Its few pages were handwritten in black ink, clearly and elegantly. Page after page after page, with an occasional word or sentence neatly crossed out. Page after page. It seemed to be the life’s work of one person.

With one hand he clumsily turned the pages until he reached the last, where his eyes froze on the final words: Minui fines vitae justo in aeternum. Those had been the final words spoken by the Great Sampson. The fatal incantation. The final words.

Were they really magic?

He mouthed a few of the dangerous words inaudibly, a shiver crawling up his back, then stopped.

He jumped.

A very loud knock on his bedroom door.

“What are you doing” demanded his mother. “I called you for dinner five minutes ago!”

“Just a second.”

“I’m running out of patience–you come out of there now!” His mother opened his door. “What on Earth have you been doing?”

“Nothing.” He turned and quickly placed the mouse in a drawer by his bed.

“Well, come on. You know how your father doesn’t like to be kept waiting.”

Reluctantly, the boy stepped out of his room and headed for the stairs. Turning back, he saw his mother enter his room.

. . .

The mouse was gone.

Whether his mother had found it, or the mouse had escaped, the boy couldn’t know. It didn’t matter.

He lay on his bed, almost in tears. He didn’t know why.

Of course, it all was plain silly. Everyone knows there’s no such thing as real magic. The Great Sampson was gone, that was the only thing that mattered. The Great Sampson had performed his final act. And nobody really cares about an act. Everything in life is an act.

The boy picked up the thin book with glittery lettering.

He didn’t dare open it.

He placed it on his bookshelf, among other wise books he would probably never read.

Perhaps he’d read it one day.

Dew on the Grass

Missy smelled dew on the grass.

She smelled the damp earth and yesterday’s rain. The roots of trees, mouldering leaves.

She smelled freshly broken twigs, the scent of crisp, tart, yellow and brown autumn.

And a newly blue sky.

Simply by breathing, Missy understood everything.

A ten-mile-away fireplace, a nearby muddy puddle.

The rising warm sun, startled birds taking flight.

Bees, butterfly wings, the erosions of mountains, dandelion dust and the movement of time.

From beyond the horizon, just as clear as the smell of autumn, Missy sensed infinite things. An unending motion. The residue of untold lives.

She smelled happiness and loss and the atoms of those long-vanished.

She smelled the new moon and hidden stars.

A human pulled impatiently on her leash. Missy followed.

An Old Man on a Bus

The old man appeared very frail.  From the few white hairs on his scabbed head . . . to his watery eyes . . . to his trembling hands.

“Good morning,” he said politely as he boarded the city bus.

The driver ignored him.

The old man nodded and struggled down the aisle to get to an empty seat. His feet shuffled. Slowly, painfully, he turned his body, grabbed the rail, bent like a skeleton to sit. The passengers on either side did not look up from their phones.

The bus started with a sudden jolt and the old man tipped into a neighbor. “I’m so sorry,” he laughed with embarrassment.

No reply.

Each stop on Fourth Avenue brought a fresh tide of riders. The old man sat without moving–except trembling hands. All eyes avoided him.

Until the arrival of a young man.

“You’re really, really old,” said the youth, who sat across the aisle and stared directly at him from behind dark sunglasses.

“I am.”

“Doesn’t life suck when you’re old and about to die?” The young man spoke mockingly.

“It does.”

“You have to be at least a hundred years old. Don’t you worry someone like me might beat you up?”

“I can tell that you won’t,” smiled the old man.

“Oh, yeah? Why’s that?”

“Because I can see you’re just an ordinary person.”

The youth turned his head and laughed at the window. Outside the city blurred past.

The old man said: “I know you’re an ordinary person because a long time ago I was exactly like you. I thought I was something special, nothing could touch me. I could insult the entire world and nothing would happen.

“Nothing could stop me. I would beat up every person that stood in my way. The future was mine.

“Now what do you see?”

The young man saw in his window the old man’s smiling reflection.

At the next stop the young man jumped up and hurried off.

A Dance in the Lightning

Angie was dead tired. The steep, stony hike up to the mountain’s summit had taken longer than she and her sister had planned. The air was very thin.

Karen was anxious to begin back down. “I don’t like this. Look at the clouds.”

“Let me rest for a minute,” said Angie, gazing down.

Silent, very far below, the familiar Earth seemed empty, unpeopled. The tan and green plains, like a rumpled quilt, stretched curving into the distance. A river one hundred miles distant made a loose thread. The world’s floor was dappled with creeping shadows.

It seemed the two sisters could reach out to touch moving white clouds.

“We better head down. Staying up here is dangerous,” warned Karen.

“Just one more minute,” begged Angie.

The shadows of scattered clouds marched across the world below. The amorphous shadows seemed like creeping ink. Up on the mountain’s high summit the atmosphere was clear and icy. The wind shivered Angie’s skin. Range upon range rose to the east, raking more boiled white clouds. The farthest peaks were minuscule and dreamlike.

Up in that heaven everything was like perfect crystal: the air, a shining glacial lake nestled straight below in a cathedral of rising granite, the sharp stone walls, panels of sky painted blue. The white clouds, now so close, seemed the only things that were alive.

They were moving, growing, indefinite, changing. Becoming deeper. Deeper. Dark.

“Come on!”

But Angie couldn’t move. The strange beauty of the darkening arrested her.

The freezing wind became razor sharp.

A shadow came.

“Hurry!” shouted Karen, running over tumbled boulders to reach a small shelter that had been built on the mountain’s summit. The shelter was made of carefully assembled stones, built by someone long ago. One who feared heaven turned dark.

Angie did not follow.

A cloud very close above blackened.  A hard rain began.  Angie stood alone, watched for the first flash of lightning.

That first revelation was a blinding, searing spear of fire. It pierced a mountain ridge just below.

The lightning flashed just a moment, a jagged burning finger, cracking open the height of heaven, transforming the rain into sparks. The booming rebound from unseen blasted stone was the voice of thundering, echoing power. A momentary awful power shaking the deepest foundations.

A second flash.  Closer.

The power descended from somewhere–from some place beyond the highest peak or reach of mind.  It was a pure light, a heedless Something, manifested from gathered blackness. A burning truth.  Then an explosion.

Another.

The white light burned in front of Angie. It was the light from an open door. Her eyes saw through for just a moment.

Then came another flash. And another. Even closer. Much closer. Exploding nearer and nearer. Angie’s sky-reaching arms waved in abandon.

She felt dizziness, danger, amazement, joy.

Angie danced in the lightning.

Irresistible Gravity

A leaf blower came by every Monday.

A tree in a concrete planter had been placed at the center of a concrete plaza. It fed on the dark water of janitors. It shed a few leaves.

Around and around the spindly trunk rode a grown man with a nicely groomed beard on a motorized skateboard. Mounted on his head was a tiny lens. Around and around he circled one afternoon. Around, around, around.

The tree dropped a leaf.

The Nicely Groomed Man rode briskly away, and later that night he watched his twinkling video on a screen in a small dark room.  He then sent if off to a virtual place to show everybody, anybody. The blurred scene, he thought, was like art. He was a satellite. The lone tree was a strange sun. Its gravity was irresistible. He returned to work the next day.

During lunch the bearded man spooned a cup of drippy noodles and thoughtfully regarded the tree. Cigarette butts and litter had been tossed into the concrete planter. The tree grew in a false light reflected from a wall of sheer, faceless offices. A wonderful forlorn miracle. How did it grow? Why did it grow?

Where did it come from? Who placed it there? It didn’t occur to the man that they were alike. Both in that plaza. Waiting. Waiting.

Another day came. A janitor dumped a bucket of dark water.

A leaf blower arrived on Monday.