George carefully arranged a few letters. He maneuvered an O next to an N and poked about with his spoon searching for an C. There had to be a C in there somewhere.
“This alphabet soup is really yummy,” said Abbie, finishing her own bowl. “Eat it before it’s cold.”
With an additional letter George completed a word. Then he started working on his next word. “You know,” he said, “with a large enough bowl I could finish writing my novel. This isn’t just any novel, mind you, but possibly the most brilliant novel ever written. You’re probably sitting across from the next Hemingway, F. Scott Fitzgerald or Leo Tolstoy. Generations of readers will admire my soup.”
“Oh, seriously,” laughed Abbie. She sat watching him incredulously.
George labored with his soup for a good five minutes.
“My novel’s opening sentence is almost done. Fortunately it isn’t as long as It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair. I’m keeping it simple.”
“Because alphabet pasta is slippery,” Abbie laughed.
“Because brevity is the soul of wit!” George replied cheerfully, feeling a little hurt. “Sometimes an author can say more by saying less.”
Abbie rolled her eyes.
“This construct of pasta floating before you,” he continued, “is no different than literature. What you see are the few letters writers combine to produce profound revelations. Assembled brilliantly, these are the same letters great novelists use to convey a reader to new heights, to lofty regions previously unexplored. These are the very same letters typed out by the world’s most celebrated poets and philosophers. Sequenced in the correct way, these small symbols help a mind perceive truth in its entirety.” He floated another letter into place to finally form a sentence. “See!”
She dipped her spoon into the sentence and tested it. “Your soup’s cold.”