One Magic Bubble

Every morning, during my walk to work across the East River, a man would be standing on the bridge conjuring bubbles. I never saw such fantastic bubbles. He produced them by dipping a loop of string at the end of a long wand into a bucket of his own secret concoction. Then he’d lift his wand up to the breeze and watch the bubbles fill and grow exactly like living things.

Then, woosh–there each would go! Lifting into the sky, undulating like crazy. Bending the morning sunlight into spherical rainbows.

Out across the sparkling river the bubbles flew. The bubble man and I got to know each other after awhile and we’d make preposterous bets.

“I bet it makes it to the next bridge. That’s got to be at least a quarter mile,” I offered with a smile.

“Farther ‘n that. I had one go all the way to those roofs, over by that silver building.”

“You could actually see it that far away?”

“It was a big one. I saw it pop.”

Most of the time the man just silently conjured bubbles, and we two would stand on the bridge watching them birth and take flight. Some burst too soon. The duration of their flight seemed completely unpredictable.

The ever-shining river welcomed bubbles along its endless path. Our backs were to the rushing cars.

I’d slip a few dollars into the man’s hat when he wasn’t looking. I always meant to ask him if there was anything he needed.

“Check this one out!” Holding his wand above the river, he suddenly became enthusiastic. An impossibly gigantic bubble filled with the wind’s breath, taking form. Somehow, without bursting, the quivering globe launched from his upraised wand.

It must have been a world record. It was at least six feet in diameter. The conditions must have been exactly right. The living bubble rose into the sky and floated on the unseen wind out over the river. Its changing colors were fantastically vivid.

The once-in-a-lifetime bubble rose and rose and rose, became smaller and smaller as it vanished down the river. We stood very quietly and watched.

One morning I passed over the bridge and the man was gone. I never did ask his name.

The Taste of Flies

A child raced out of the kitchen’s back door before bacon and eggs were ready and hid under a branch of the old acacia tree.

The child caught sight of a shining web. Diamonds of dew glittered before surprised eyes like a bright, luring treasure.

A curious hand reached out.

“Please don’t break my web,” said the spider. “It took me an awfully long time to make.”

“Hello,” said the child.

“Shouldn’t you be eating your breakfast right about now?” asked the spider. “Why did you come running outside like some sort of crazy person?”

“I don’t know.”

“That can be very dangerous. Just because a door is cracked open doesn’t mean a body should rush through it.”

“Sorry.”

“I can’t help but notice you admiring my spectacular feat of aerial engineering. Isn’t it amazing? Are you curious how long it took me to create this miracle?”

“Why did you make that?”

“Good one!” laughed the spider. “It’s what I do. It’s what all spiders do. We knit our silk into a perfect geometric pattern and weave a beautiful trap.

“What you see is my tangible essence. My daily masterpiece spun from insatiable instinct.

“It’s my Sistine Chapel, my Starry Night, my Water Lilies. It’s my Persistence of Memory, my Guernica, my Night Watch. It’s my Garden of Earthly Delights, my Last Supper, my Mona Lisa. It is my self-portrait.

“It’s the place where I stand. I really can’t help myself. We spiders have to eat, too, like you.”

“What do you eat?” asked the child

“Silly flies that I trap.”

“What does a fly taste like?” the young child asked, suddenly thinking again about breakfast.

The spider laughed ominously. “Bacon and eggs.”

“You’re horrible! You’re nothing but a nasty little spider! What will you do if I break your web so you can’t kill any more flies?” demanded the child.

“I will eat my own miracle and weave again. But you won’t destroy my web because I can see you are exceptionally wise.”

“What does wise mean?”

“It means you speak to tiny things like me.”

The Bone Artists

Every day, in gardens throughout the city, new blossoms opened to their most beautiful, most glorious potential, and in bright clinics the elderly who refused to undergo youth treatments were euthanized.

Pietro was going on one hundred and fourteen and felt it. He had ceased his treatments. To avoid detection, he’d removed his master chip with a sharp scissors and whenever he ventured into the city he was careful to melt into darkness.

Pietro walked slowly at night with bent shoulders. He moved painfully, silently, face hidden in a scarf. He found his nourishment in the moonlight and trashcans. He gathered a few precious things that the extremely old need. Then, at the dawn of each day, he slipped through a secret door that welcomed vanishing souls to a black place beneath the city.

The underground refuge was the last free place that remained. It was a retreat where age was not shunned. The tug of time had drawn many into the ancient catacombs.

Pietro moved slowly down one long passage in the maze of candlelit catacombs and entered a chapel of bones. In the very dim light he could see dozens of leg bones and arm bones fastened to rock walls, forming crooked crosses. Skulls whose eye sockets flickered with small flames had been stacked high, almost to the roots of trees. It was a chapel without windows. Only fading eyes.

He entered a large stone chamber. The workplace of the bone artists.

The bone artists moved creakingly in that hollow of Earth, assembling dry bones that were sorted into piles. They didn’t see Pietro enter. The very old people hunched over their work, reaching with their meager fingers for raw material.

Half-formed in that obscure space was their vast Creation.

In that immense vault, where time was still sacred, bones had been assembled like unearthed fossils into visions that were sculpted from secret knowledge. Thousands of bones were fitted together into brittle, ponderous truths. The bones formed a subterranean world of gaunt trees, pale towers and skeletal fields . . . a world of bone horses, bone eagles, bone houses and a faded city . . . a world beneath the world.

The bone artists worked silently, tying bone to bone, heads bowed. Their eyes were nearly shut. None saw Pietro enter.

“Look what I gathered!”

Cradled in the arms of Pietro were flowers that he had stolen in broad daylight.

The artists looked up. Eyes widened.

A few more candles were lit, and a crop of new flowers was soon sprinkled throughout Creation.

A Secret Junkyard

Pender glared at his marvelous invention. No matter how hard he hammered, the critical gear refused to turn.

Which meant the pendulum could never swing. And the pulley could never pull. And the mainspring could never spring.

And the crystal wings that projected from either side of his shining golden hummingbird would remain lifeless, eternally.

Pender’s invention lay motionless at the center of his desk.

He couldn’t bear to look at it.

Reaching across his desk, Pender pressed several keys of an antique black typewriter. A fatal click sounded in his private study. A bookcase swung open.

Pender jumped up, roughly grabbed one crystal wing and whisked his failure across the small study. With one lunging step he carried it through the bookcase . . .

Behind Pender’s books stretched a junkyard. An immense junkyard: his infinite, private, painful secret. His manifold failures littered a bewildering expanse. Scattered to the right and to the left, his wrecks had been thrown carelessly into chaotic nonexistence. Pender felt bitter revulsion for that junkyard. So many marvelous inventions, each aborted.

Pender tossed the shining hummingbird over a few broken things and it landed in a lifeless heap. He turned, determined not to see.

So many aborted dreams.

Every one wonderful.

An elegant baby grand piano, attached with baling wire to the top of a diesel locomotive. But the train was too loud.

A fifty-foot mechanical clown powered by the sonic energy of human laughter. But nobody laughed.

A glass carriage containing one thousand red roses and an Egyptian mummy. But the smell was horrific.

A flying saucer built with toilet paper tubes, tinfoil, rubber bands, white multi-purpose glue and three jet engines. But the rubber bands inevitably broke.

A magnificent hot air balloon of sewn-together silk stockings. A few stockings had holes.

A gigantic pirate ship carved out of Swiss cheese. The rats fled.

An upside down triangular house. That had a tendency to tip over.

A contraption consisting of a warped lawn chair, a pair of skis, one rubber tire, a bicycle chain, a mannequin, a cuckoo clock, a stove pipe hat, goose feathers, profuse sweat and shed tears.

Pender’s brightening eyes lingered on the contraption.

It had so much potential.

Impulsively, Pender grabbed hold of his preposterous creation, lifted it with all of his strength and carried it out of the secret junkyard into his small study. He placed the thing on his desk. He tested the bicycle chain and straightened the stove pipe hat.

Pender touched several keys of his black typewriter, closing the bookcase.

He feverishly went to work.

A Long, Deep Drink

A painter stepped carefully across tumbled rocks to the very end of the jetty. She placed her easel on a flat table of rock.

She opened the menu:

Sea-splashed rocks stretching back to the shore. Glistening cubes of jello.

Blue ripples of water on the sheltered side of the jetty. Spatula-dabbed blueberry frosting.

The mast-filled marina. Toothpicks in marshmallows on a bright silver tray.

The lighthouse at the end of Moondown Point. A peppermint stick.

The clouds above a shoulder of mountain. Whipped cream.

The contours of Earth. Spooned chocolate pudding.

Nearby cottages. Gumdrops.

The beach. Gently rolled, sugary white fudge, with a mouthwatering variety of tasty sprinkles.

Umbrellas along the sand. Tempting lollipops.

Her eyes turned.

A rimless bowl of water. Only water . . . and formless light.

A long, deep, quenching drink of simple water.

She drank.

The Piano Player Sat Down

The piano player sat down. For a moment he paused. Then he opened his hands.

From his fingertips emerged a shining coin.

The pianist spread 88 playing cards smoothly in a row. Every listener picked one card. With a touch he found it.

A flower sprang from his sleeve.

Inescapable ropes were cast aside with the twist of his hand.

Handcuffs fell off.

Into the black cauldron his moving fingers stirred fallen tears, a sprinkle of stars, lost memory, alchemy.

A white rabbit leaped from the cabinet, vanishing.

Applause.