Perfection

My work friend Manny is a church organist. He’s very religious. I don’t mind his frequent observations concerning human fallibility, because he’s human, too. I listen to him with a smile.

When Manny told me he’d be playing classical music at the church that Wednesday evening, I promised to go. And I mentioned it to my wife Barbara. But she dislikes zealots.

“It won’t be religious. It’s the music of Bach and Chopin and Liszt and the stuff you like. And he’s actually very good. He’s played with the symphony. If you want to go, we can sit in back and leave whenever you’d like,” I offered. “You won’t have to talk to Manny.”

I was surprised when she tagged along.

Manny is an excellent organist because he’s a devoted, one hundred percent perfectionist. It has something to do with his religion. I know that as a coworker he can be very annoying. He becomes upset if a meeting or sales pitch doesn’t go exactly according to plan.

There was a decent crowd in the pews. Barbara and I sat near the back. We listened to a complicated piece by Bach and the music was indeed perfect and beautiful. Manny’s playing was superb.

In the middle of the program I glanced over at my wife and she appeared to be relishing the concert, too.

The notes of one timeless piece seemed like poetry–so fragile, so ascendant, so full of yearning. They felt like whispers from the depths of my own soul. I found it hard to believe they emerged from a church’s pipe organ. The divine feeling was stirred to life by the fingers of Manny. His playing appeared effortless.

When I glanced at Barbara again, tears were on her cheek. I had never seen her cry in public. She saw me and covered her eyes with a hand.

The next day, at work, I told Manny his organ concert was absolutely amazing.

“No it wasn’t,” he snapped. He stared back in a critical way. “I was off my game. I don’t know what was wrong.”

“I thought it sounded great.”

“Are you joking? That was probably one of my worst performances ever.”

“I saw someone crying when you played Vierne’s Carillon de Westminster, Opus 54, No. 6.”

“I’d cry, too, if I listened to my garbage.”

Poem to Myself

Gerald hated his job. His boss gave him another warning.

Traffic on the freeway going home was worse than ever. His wife asked why he refused to pick up groceries. Another weekend would be wasted with that septic tank problem. The house stank.

Saturday morning the backhoe arrived at the house. The operator, Gerald quickly concluded, was stupid and incompetent.

The backhoe chewed up the back lawn and piled it on the tile patio. The hole grew deeper as Gerald watched. That’s five thousand dollars of my hard-earned money, he thought with mounting anger. Because of a tank clogged with shit.

“Watch what you’re doing! There’s an irrigation line that runs this way. If you cut into any of my pipes, you’re going to pay for it,” he threatened the backhoe operator.

The idiot, Gerald thought to himself. This jerk couldn’t care less about my home.

Gerald had lived in that same house his entire life. He had inherited it from his parents. And now it would stink until the end of time.

With a rage that grew and grew, he watched as his green lawn turned into a pit.

There was a soft metallic sound. The backhoe operator switched off the engine.

What the hell now? Gerald wondered.

The operator stepped down and descended carefully into the hole to determine what he had struck. He carried out something and handed it to Gerald. “It looks like some kind of box.”

“Give me that!” demanded Gerald, seizing the thing, wondering if the mysteriously buried box contained anything of value.

The box was very light and the size of a cookie tin. It was completely wrapped in black electrical tape. His annoyance turned to sudden greed.

He took the box to the patio table and sat down, brushed off a crust of dirt and turned the thing over and over with anticipation. He found one side that seemed to have a lid. He pulled out his pocket knife to cut the black tape around it.

It was indeed a cookie tin, and inside were several objects. He pulled out a folded sheet of paper. Written by the hand of a child were the words:

I put these in a time capsule in case I need them in the future.

Inside the cookie tin were a few wrapped candies, a plastic dinosaur, an old ticket stub to a baseball game, an airplane made of glued Popsicle sticks, and a smiling face drawn on construction paper.

At the bottom of the tin lay a second sheet of paper. Written in Gerald’s own hand were the words:

Poem to Myself

I buried these things underground,
a place where memories are found,
hoping this heart of mine
will not forget to shine and shine.
Here’s a treasure box to my
future self there in the sky.

The Recovered Artifact

Do you remember those storms we had fifteen or twenty years ago? When dozens of houses were destroyed by mudslides? And the highway south of town was closed for a week?

I still remember how, exhausted from shoveling the mud on our driveway, I collapsed and sat on a slimy spot of curb gazing down the street. Several houses near the dead end were buried.

After a weeks of pouring rain the mud flows had become unstoppable. It seemed the hills around our neighborhood had been whipped by a gigantic blender and the earth reduced to brown rivers. I realize people overuse the word surreal, but the world I saw was surreal. The familiar street had been smothered by a relentless plain of mud. Ruthless mud that was primordial. And the earth was without form, and void; and darkness was upon the face of the deep.

As my tired eyes searched for the vanished street, or anything that might be recognizable, I wondered if our neighborhood could ever return to normal. That’s when I noticed a small object lying on the mud several feet from where I sat. I got up. I trudged over to pick the thing up.

It was a cast iron horse, about two inches in length.

Imagine my surprise.

I stared into my hand at the unexpected thing.

Buried in the hills of our neighborhood are centuries of history. From time to time bits of that history surface: an arrowhead, a shard of broken pottery, a disintegrating coin.

I wondered if this was an artifact from an age long past unburied by the rains and revealed again to living eyes. I turned the tiny cast iron horse over in my hand, removing the mud, and examined it closely. It was a very simple thing. Neither the head nor mane showed much detail. The legs were galloping. It had probably been a plaything of a child.

The more I stared at this mysterious artifact, and the more I wondered where it might have originated, the more primitive it appeared.

Archaeology has always fascinated me. To such an extent that I’ve taken several college courses.

I’ve seen galloping horses on the coins of Carthage and Ancient Corinth. I’ve seen the Bronze Running Horse from a 2nd century tomb in China. I have marveled at those friezes of Greek horses charging into battle with arching heads and curling manes, or taking flight on Pegasus wings. To my mind, this small horse appeared even more ancient. It seemed to have flown from a stone age cave painting directly into my hand.

The simple shape of the cast iron horse was timeless. The bounding figure possessed a carefree quality that spoke of unbreakable freedom. In that small thing I saw a symbol of life’s adamant tenacity. It was a thing that devouring forces could not destroy.

As I stood in the mud admiring a mysterious artifact that had emerged from the Earth, I became aware someone was standing near me.

“You found my horsey!” a child suddenly cried, hurrying forward, hands outstretched.

Skeleton Forgiveness

Bradley woke up in the middle of the night. The clock showed a quarter to three. His wife was asleep beside him.

Careful not to disturb her, he lay motionless on his back and reviewed another day at work. There was something important he was supposed to remember, to do tomorrow, but he’d forgotten.

His mind wandered. For a moment he wondered about the car–if he should have the oil changed that weekend. He thought about making reservations for the vacation in Hawaii. He thought about an appointment with the doctor. In the darkness, he looked along the length of his body under the sheet. Suddenly he realized that under the sheet lay a skeleton.

His mind quickly turned.

Another pressing thought came to him that he must buy groceries after work–he must ask his wife what she needed. He would try to remember. And then he fell back to sleep.

And ten years passed in the blink of his astonished eyes.

Another late night, after brushing his teeth to ward off decay, blinking at his face in the bathroom mirror. I’m starting to get old, Bradley thought. What a strange face.

He lay in bed beside his wife, feeling the aching years, unable to sleep.

He couldn’t stop thinking. Next week he would have to see the doctor again. And then do his taxes. And then plan for that critically important conference in Seattle. And then remember his anniversary. How long? Thirty years? And then the lawn needed mowing again. And the leaking faucet. And his daughter needed more money. And he had to write a reply to his older brother, Kenneth. He didn’t want to write words to Kenneth. Kenneth was a big-mouthed jerk. Kenneth was probably the one thing Bradley hated most. There had been no words for most of a lifetime. There was too much anger, bitterness and pain. There was a feud that would never end. He could barely remember why.

He lay in bed, mind rolling, staring up at a dark ceiling, when an unbidden thought returned. He lowered his eyes and gazed at a draped figure.

Under his sheet stretched a skeleton.

His own skeleton.

Then suddenly Bradley was six years older. And his happy younger brother, Ben, who lived halfway across the country, died of a heart attack.

The entire family flew to the funeral. Older brother Kenneth sat near the opposite wall. Everyone faced the open casket.

Bradley sat near the back, behind a strange family of bent people clothed in black.

And then he understood the truth.

With time–too soon–all of the somber clothing, the tears, the bowed heads, the pain, the hidden thoughts, the beating hearts, muscle and blood would fall away.

After the short service he rose, walked bravely up to Kenneth and hugged him.

“I’m sorry.”

One Word

As I stood at the corner of a busy intersection waiting for a green light, I noticed a man with a horrific beard sitting half-naked on the sidewalk. His fist gripped a magic marker and he was writing prolifically on a rectangle of cardboard.

From my distance I couldn’t read what the man had written. I did observe he was creating the enormous word GOD. He was broadening the lines of GOD with precise attention. Working carefully, very deliberately. Like a true artist.

Making GOD bold. Preparing for his daily appeal.

My eyes were drawn to the earthy arms, earthy legs, blackened feet in broken sandals.

As I waited to cross the intersection, a clean-shaven man wearing khaki shorts came up to the writing man and stared down with a smile.

Just as the light turned, the man looking down burst out laughing.

“GOD!” one roared.

White Marble

A toddler with a bright ball scampered across the Earth and fell down on green grass. He pushed himself back up, stood and wobbled. Laughing, the tiny child raced off with heedless feet.

His mother walked nearby. She closely watched her child play. She was careful not to step on graves.

The toddler didn’t seem to know where he was. He threw his ball up, missed it as it came down. He leaned over, grabbed his ball, twisted wildly and let it fly sideways. The ball ricocheted off a headstone and rolled down a green slope.

The bright ball rolled down and down, settled among some flowers.

Two small hands reached for the ball.

Suddenly the little person noticed a very old woman dressed in black standing high above him. The old woman didn’t move. She stared down at nothing.

The weathered face and deep eyes appeared to be stone. A face carved from gray stone. Etched with something unreadable. The dead eyes seemed not to know where they were.

The old woman stood beside a fresh patch of dirt.

“Want to play catch?”

The woman in black turned her head and regarded the little person who waited by her legs clutching a bright ball.

Her face softened. “No, thank you.”

“Noah!”

The toddler heard his name. He turned and with two unstoppable legs raced wildly back up the hill. Skipping and swerving, he bounded toward his mother, who sat waiting for him on her own spot of grass. A startled crow flew up.

She gazed upon the little person as he came to her side.

Her cheeks shined with tears.

“That’s Daddy!” the small boy explained, finger pointing to the nearby stone.

His mother smiled.

“I love you Daddy!” the child exclaimed, dropping his ball. He ran forward and hugged the white marble.

The Firefly

Cynthia and Mia loved being outdoors. Late in the evening, after dark, the two young sisters would stroll down to the end of their sleepy cul-de-sac, quietly talking, or singing, listening to the breeze in unseen oak leaves, gazing up at the ever-changing moon. Night was a place for dim lights and deeper feeling. In the darkness they’d steal aboard the slow backyard swing to float among infinite stars. Those beautiful nights were better than any dream.

“There it is again!” said Cynthia.

The firefly had returned. It seemed to show up every night an hour after sunset. The small light zigged and bobbed above the ghostly lawn. It disappeared behind the black shed. Suddenly it appeared right in front of the two sisters, who sat motionless on the swing.

“We should try catching it,” suggested Mia.

“Why?”

“We could bring it inside and use it for a night light.”

“That’s silly.”

“I’m serious!”

“You should never catch a firefly. You’ll be cursed.”

“Says who?”

“I don’t know.”

It remained a very great mystery–why there was always one firefly. Cynthia and Mia watched the small light flit here, there, here again, but always a shade beyond reach. Both young sisters understood that the small insect’s ballet was not arbitrary. Windblown, indecisive–but not without purpose.

The following night the two sisters walked down the cul-de-sac looking for bats. But it was getting too dark, almost a new moon.

After returning home, Mia couldn’t resist her desire. She darted into the kitchen through the screen door. A few minutes later she plunged back into the darkness clutching an empty glass jar. She showed it to Cynthia on their swing. “I’m going to catch the firefly!”

“Why?”

“Because I want my own lightning in a bottle!”

“But a firefly needs to be free. If you trap it you’ll kill it.”

“I punched air holes in the lid.”

“The poor thing will die.”

“I don’t care.”

“You’re silly.”

Mia unscrewed the jar’s lid and sat on the swing with her sister quietly waiting. They could barely see one another. Infinite bright stars whirled above. Somewhere in the night, a lonely cat yowled. An owl hooted. The firefly appeared like magic.

For a long while the two watched the dim light swing through the air like a falling star. With a bound Mia jumped up clutching her jar and raced beside the star.

The firefly darted away.

“Almost got it!” Mia laughed.

Cynthia laughed with her.

Mia chased and veered. A metal lid clapped on glass.

“I got it! I got it!” Mia shouted.

“Quiet! You’ll wake everyone up.”

“But look! I really caught it!

Mia crossed the gray grass and quietly came up to Cynthia with the dark jar in hand. “Look!”

Trapped at the bottom of the jar was a small, indistinct shape. The sisters put their noses to the glass to see better. The captured thing looked like nothing but a plain beetle.

“Are you sure that’s the firefly?” asked Cynthia.

“I’m pretty sure.”

“Well, there. You got your lightning in a bottle. I hope that makes you happy.”

Mia carried the jar into her bedroom. The firefly was in reality just a tiny, rather plain-looking beetle. It crawled awkwardly around the bottom of the confining glass jar, its chemical light off. Mia stared at the hobbling beetle for several minutes, then placed the jar on the corner of her nightstand. She switched off the bedroom light and lay on her back in bed. Her eyes were on the jar. The room was pitch black.

Mia waited. Her eyes focused on the exact spot where the jar should be. She anticipated, hoped, held her breath, waiting, waiting. She wished for a star. She yearned for a rising star. A star of her own. But why would anything happen? It was merely a dull beetle.

Out of the darkness a soft light appeared before her. It grew slowly brighter, slowly brighter, filling the room. The light intensified, enveloped her, blazed and shimmered, lifted her into a dazzling universe of infinite stars.

The alarm clock jolted her from the dream.

Sunlight streamed through the bedroom window. Mia sat up and looked at the jar on the nightstand. The beetle was dead.

Mia stared at the dead thing.

Somehow she stopped her flood of tears when she finally joined Cynthia for breakfast. Mother as usual was drunk and said nothing. The two young sisters headed out into the glaring daylight and trapped themselves in the school bus.

. . .

“I told you you’d kill it,” chided Cynthia.

The two sat motionless on their swing in the darkest of nights. A cold night with no moon and no firefly. They sat outside anyway. Alone in blackness was better than nothing.

“I told you,” insisted Cynthia, “but you wouldn’t listen. Why did you have to catch it? Why did you have to kill it? Now our one and only firefly is gone. There’s nothing left. You murdered it.”

“Stop it! Shut up!”

The two sat motionless on the swing, like twin dead planets in that cold, black night. They didn’t see the bright stars. They didn’t look up.

Cynthia broke the silence. “Now that our one firefly is dead, what’s the point in sitting out here? I’m starting to freeze. Let’s go back inside.”

“I don’t want to go inside,” protested Mia, thinking of their abusive mother.

“But there’s no longer any reason to be here.”

“I don’t care.”

The two sisters had nothing more to say. Each young girl had reached a dead end. Inside and outside, nothing was possible but the suffocating emptiness. There was no place left in the world for either to go.

Two hearts had died.

They sat like gravestones into the night.

A new moon night.

Suddenly, in the emptiness, a ghost light appeared. A light flitted in space before the two sisters.

A firefly zigged and bobbed in front of astonished eyes.

Mia caught her breath. “Look! I don’t believe it! There’s another one!”

The tiny light had appeared from nowhere.

A new firefly bobbed and danced, twirled and weaved, like living magic suddenly risen from a well of utter blackness. Where it came from, neither girl understood. Where on Earth had it come from?

The firefly was a spark from an unseen fire, moving mysteriously, from silence to silence, from heart to heart.

Cynthia turned on the swing to face Mia. “That was terrible what I said to you. I promise I will never hurt you again.”

“I’m sorry, too,” replied Mia. “I’m sorry I was selfish.”

Relief.

Freedom.

The new firefly danced: simply, brightly, joyfully.

In two hearts, new life.

A Steep Hill

The old man bent slowly. He set a heavy black garbage bag down on the sidewalk. He stood on the hill and rested. The five block climb to the church seemed more steep than ever.

I can’t do this forever, he told himself.

The shrugging shadows from a crowd of downtown buildings were very cold. The old man zipped his jacket all the way up. He gazed down at the sidewalk and the garbage bag.

He lifted the bag and resumed his way up the hill. One careful step after another. He waited on a corner for a traffic light, even though there were almost no cars about on a Sunday morning. Litter blown by the November wind had collected in the gutter. On the opposite sidewalk several people were sleeping among discarded bottles.

The apples in his bag felt like stones.

He wondered why he carried them.

His parents had built their modest house a long, long time ago, decades before the city swarmed around it. When he was three years old, his mother had planted an apple tree in the backyard. Now, suffocated by high-rises, it was a miracle that tree grew at all. It was a miracle the harvest remained bountiful. No sunlight now reached the tiny house.

For a painful instant the old man barely recalled the radiant face of his mother: her shining eyes and bright fiery curls. The apple tree was just as generous as her unpent heart. Pies, cakes, muffins, cobblers, jelly, sauce, cider, enough for a large happy family. But those years were long dead. The only hands that remained were his own.

He now despised apples.

A smiling man in a sideways baseball cap hurried rapidly down the steep sidewalk. The smiling man stopped a few feet above the old man and stared down at him.

“What you got there buddy?”

“A garbage bag.”

“Find anything good?”

“No, just garbage.”

“Too bad. Look what I got. The idiots at City Church give them away for nothing.” The smiling man pulled a red apple out of a pocket. “They don’t even care who you are. You can take as many as you want.” The smiling man suddenly pitched the red apple across the street. It struck the side of a cold building and exploded. He laughed loudly.

The smiling man pulled out another apple, tossed it onto the street, watched it roll down into the gutter.

The old man shrugged, continued up the hill with his garbage bag.

. . .

The tree was unrelenting. Those beautiful apples seemed infinite.

The old man ascended the hill to church Sunday after Sunday, transporting a terribly heavy bag, one careful step following another. He often wondered why he did it.

It was fate, probably.

The Bone Artists

Every day, in gardens throughout the city, new blossoms opened to their most beautiful, most glorious potential, and in bright clinics the elderly who refused to undergo youth treatments were euthanized.

Pietro was going on one hundred and fourteen and felt it. He had ceased his treatments. To avoid detection, he’d removed his master chip with a sharp scissors and whenever he ventured into the city he was careful to melt into darkness.

Pietro walked slowly at night with bent shoulders. He moved painfully, silently, face hidden in a scarf. He found his nourishment in the moonlight and trashcans. He gathered a few precious things that the extremely old need. Then, at the dawn of each day, he slipped through a secret door that welcomed vanishing souls to a black place beneath the city.

The underground refuge was the last free place that remained. It was a retreat where age was not shunned. The tug of time had drawn many into the ancient catacombs.

Pietro moved slowly down one long passage in the maze of candlelit catacombs and entered a chapel of bones. In the very dim light he could see dozens of leg bones and arm bones fastened to rock walls, forming crooked crosses. Skulls whose eye sockets flickered with small flames had been stacked high, almost to the roots of trees. It was a chapel without windows. Only fading eyes.

He entered a large stone chamber. The workplace of the bone artists.

The bone artists moved creakingly in that hollow of Earth, assembling dry bones that were sorted into piles. They didn’t see Pietro enter. The very old people hunched over their work, reaching with their meager fingers for raw material.

Half-formed in that obscure space was their vast Creation.

In that immense vault, where time was still sacred, bones had been assembled like unearthed fossils into visions that were sculpted from secret knowledge. Thousands of bones were fitted together into brittle, ponderous truths. The bones formed a subterranean world of gaunt trees, pale towers and skeletal fields . . . a world of bone horses, bone eagles, bone houses and a faded city . . . a world beneath the world.

The bone artists worked silently, tying bone to bone, heads bowed. Their eyes were nearly shut. None saw Pietro enter.

“Look what I gathered!”

Cradled in the arms of Pietro were flowers that he had stolen in broad daylight.

The artists looked up. Eyes widened.

A few more candles were lit, and a crop of new flowers was soon sprinkled throughout Creation.

The Ghost Ship

Lynn sat alone on the gray rock at the edge of the pond gazing into the distance. Different day, same rock, same pond. The same dirty water. The same life.

The breeze was slight; the humidity was stifling.

Lynn’s break time at the factory was strictly 15 minutes. That left nowhere else to go but out the back door, past a pile of broken pallets and to the edge of the pond. And that’s where Lynn sat. Her eyes sought the distance.

Something moved on the water. A snake, probably.

Far across the pond were the shade trees. They appeared like an oasis mirage in a desert, so green, so inviting, but never within reach. At the factory workers had only 15 minutes. And of course a quick lunch in the cafeteria. And after work one hurried home to beat the traffic.

The water of the pond was just as muddy as the ground surrounding Lynn’s rock. Where the water came from, Lynn didn’t know. The torpid pond seemed a shallow bowl of dust mixed with tears, broken earth, rusted things, time’s remnants.

As always her time passed.

Soon time to go.

The thing on the water appeared closer. The slight breeze seemed to be pushing it.

Lynn sat on the hard rock and watched the mystery as it moved.

Garbage, she assumed.

The thing moved slowly across the water, drawing closer, closer, into focus. It was nothing more than a piece of dead bark.

Lynn watched the bark inch across the dust-specked pond, until it finally bumped up against her rock. Lying upon the bark was something white.

The tiny flower was perfect, white, inexplicable.

Like a snowflake.

Lynn looked down. A flower? From where?

Almost time to go.

Something urged Lynn to gently pick up the small flower. Quietly she placed it beside herself on the rock.

A change of air.

The ghost ship departed, its cargo delivered.